Artists (photo from left to right): Cortni Frecha, Marin Murakoshi, Kevin Duffy, Mark Smith
This is our Ninth Annual Symposium. Due to the special circumstances during the pandemic COVID-19, we have decided to extend the working time period from three weeks to three months, starting in mid-July until September. Artists will come at their own convenient times to work, wear mask (of course!) and keep social distance when they encounter each other. This year, we have invited back the four artists who had participated in last year’s Symposium, Kevin Duffy (Arlington,MA), Cortni Frecha (Stow, MA), Marin Murakoshi (Newton, MA) and Mark Smith (Berlin, MA), Viktor and I will also join the endeavor. We will not hold the Opening Ceremony and Symposium Closing Exhibition; however, we are holding our spirit and energy high. With determination, our endeavor will draw the New Art Archeology stone pile closer to its completion.
We apologize for not being able to share the artist’s carving process with you on site in person; however, Yin will be diligent in taking picture of artists working and post them in our website for your viewing. As granite is forever, our vulnerable health should come first at this time. We promise when this art ground is reopened, you will see an amazing new world.
We do keep social distance
Special thanks to the support from the Local Mass Cultural Council of the following Towns:
Acton-Boxborough, Billerica, Chelmsford, Concord, Groton, Lexington, Littleton and Westford.
The Oasis Foundation
ABOUT THE SYMPOSIUM
Sculptors bring their unique experiences and diverse techniques to the Quarry as they transform blocks of stone into sophisticated sculptures. Our grounds are open to the public everyday (2pm-5pm) for visitors to observe and marvel at the artists’s creative process. It is simply beautiful to watch as the pile of stones continues to grow in beauty and complexity. The created artwork remains on site permanently as an archeological landmark for the future.
This is our eighth annual Symposium in the actualization of the “New Art Archeology”. This year it was held from August 4 to August 25 with participating artists Chia-Ming Chang (Taiwan), Kevin Duffy (Arlington, MA), Cortni Frecha (Stow, MA), Mark Smith (Berlin, MA) and Marin Murakoshi (Newton, MA, origin Japan). As of last year, we have accomplished 41 sculptures by 26 artists from near and far. This pile of stone, which surely will be a New England landmark, contains over hundreds of pieces of stone. Ever since we started this project, every year audiences have been inquiring how long it would take to accomplish the entire pile. At first, our answer was we anticipated 20 years if we were able to obtain steady funding every year. However, we have found out from the past 8 years of experience: 1) Unfortunately, the funding is not steady; 2) Fortunately, many experienced stone-carving artists have decided to come back and carve more pieces on the pile. As a result, we are able to move this monumental project forward steadily. At the completion of the Symposium on August 25, we held an Opening Reception with Artists Talk to celebrate our accomplishment.
This is our seventh annual Symposium in the realization of the “New Art Archeology” idea at the Quarry. As of 2017, we have 33 sculptures on the stone pile by 24 artists coming from near and far. This year, with the participating artists (in the order from left to right) are Mark Smith, Ted Castro, and Felix Huang from MA, Chia-Ming Chang and Cheng-Liang Li from Taiwan, and CAI Director Yin Peet. They have added 6 more sculptures to the Archeological site and we hope to see more of their stonework in the Symposium next year.
This is the sixth annual Symposium in the realization of the “New Art Archeology”. The previous 5 years we have been focusing on the stone carving solely on the “Archeology” stone pile. This year, in addition to artists Jen Ta-Hsien from Taiwan, Abel Kotorman from Hungary, Ted Castro and Mark Smith from Massachusetts, we have also invited Richard Metz from Pennsylvania to create artwork that is site-specific to the forest environment of the Quarry ground. Together, we will continue the creation of this New England landmark. The Opening reception was held on August 7, Sunday at 2:00PM; and Closing Exhibition on August 28, Sunday at 2:00PM.
Thanks to the support of Mass Local Cultural Council in the following towns — Acton, Carlisle, Concord, Westford and Stow, and the Taiwan Tainan City Cultural Bureau, and CAI’s friends Kevin Duffy and Mark Smith.
This is our fifth annual Stone Carving Symposium in conjunction with the “New Art Archeology” program at the Quarry. The 2015 accomplishment is achieved by four artists: Miguel Angel Velit from Peru, Mark Smith from Berlin, MA, Viktor Lois and Yin Peet, the two anchor artists who have created the Art Grounds for CAI and envisioned the “New Art Archeology” concept for the stone pile The outstanding guest artists — Miguel brought onto the pile his mysterious Peruvian heritage; Mark, a retired high school teacher has demonstrated a legendary story in the field of stone carving. After diligently coming to observe the masters carving in the first Symposium, he decided to take class from Yin. In three years, he has not only accomplished 6 excellent granite sculpture, he has also created the Lizard in 2014 and a 15’ long Sea Turtle this year on the stone pile. Their endeavor have successfully passed on the baton for future artists to continue the creation of this New England landmark. During this 3-week period, every afternoon visitors came in to view the process of artists at work, taking pictures, asking questions and entertaining their imagination with what the stone in their own backyard might turn into. In today’s virtual-dominated world, this solid, physical, artistic creation serves as a much needed weight to balance out on the scale.
This year we accomplished our 4th Symposium from August 3 to August 23, with a welcome reception on August 3 (Sunday) 2:00-5:00pm and a closing Reception/Exhibition on August 23 (Saturday) 2:00-5:00pm.
The New Art Archaeology Project continues for the third year. A massive pile of granite blocks carved in place by a continually changing cast of prominent U.S. and international sculptors continues to influence the landscape. During the annual Symposium sculptors congregate for a three week residency at CAI to carve a stone on the pile gleaned from this former working granite quarry. The intent is for the finished sculptures to remain permanently on site as an archaeological landmark for the future.
Four unique and professional approaches to the granite carving were brought to CAI Art Grounds by Kevin Duffy, Jay Hungate, Bill Turville and Zsolt Nyari. To incorporate our Art Education into this event, we invited Mark Smith who is a granite carving student at CAI to participate in the Symposium by collaborating with Yin. We found that indeed this context is the perfect teaching environment. We can see in just three weeks that his accomplishment is literally set in stone.
A renowned sculptor, born in Hungary, Zsolt’s artwork is in public spaces in Italy, Croatia, Japan and Hungary. He has graduated from JPTE BTK Master of Fine Arts School and is currently teaching at the Janus Pannonius University of Pécs.
A stone sculptor living in Arlington Massachusetts. Kevin studied at the Montserrat College of Art and graduated from the Academy of Fine and Applied Art in Rotterdam, Netherlands. Kevin worked as a technical illustrator for many years. Kevin currently works as a monument conservator. His work has been exhibited in both the US and Europe.
An active sculptor lives in Lowell MA, Jay has done many major public sculptural projects and is the primary Gargoyle statue producer in New England area; he has served on the Board of the New England Sculptor’s Association. He hold a degree in sculpture from Massachusetts College of Art and Design.
A sculptor and architect; his studio is based at Brickbottom Artist’s Association in Boston. Turville is very active in art education and has made significant contributions advocating for the art communities. His work ranges from festival sculpture and installations to commissioned work for institutions and unique work for themed shows, causes and charities.
This First Symposium has marked the beginning of our “New Art Archeology” concept – instead of digging up artifacts, we are creating artwork with a 21st century interpretation of figurative sculpture using the existing granite blocks on the CAI grounds as an archaeological landmark for the future. The four artists for this important event are Laszlo Varkoly, Batu Siharulidze, Jenny Page, and John Weidman. The artists’ interaction with their stone as well as among themselves and audience was simply beautiful to watch. Read “Acton Arts Colony Showcases Works Carved in Stone” – Boston Globe, 2011
(b1960-) born in the Republic of Georgia; graduated from the Tbilisi State Academy of Fine Art and an advanced post-graduate degree from the All-Union Academy in Moscow. In 1994, following the collapse of the Soviet Union, Batu immigrated to the US. Batu has won numerous sculpture competitions, and has been frequently invited to participate in exhibits and symposiums throughout the world. Currently he is Head of Sculpture Department at Boston University.
(b.1969-) Working intuitively, her work encompasses aspects of drawing, painting and sculpture. Interests in anatomy led to a Certificate in Forensic Facial Reconstruction Sculpture from New York Academy of Art. Jenny’s work has been exhibited throughout New England, NYC, Egypt, Germany, and the UK.
(b1943-) born in Whitewater, Wisconsin, educated at Miami University & Antioch College in Ohio, and studied Anatomy and Dissection at Harvard Medical School. In addition to being an accomplished sculptor, he is the co-founder & director of Andres Institute of Art in Brookline, NH. John’s artwork strives to, as he so well stated, “create new observations” for his audience and to see that “the technology and creativity are balanced” in art making.
(b1960- Hungarian) born in Olaszliszka, Hungary. He has graduated from Art Department at the Teacher’s College in Eger City. In the 60s, in the midst of experimental art movement, as a painter he produced many performance artwork. Since the 90s, he has been devoting his time in the sculpture field, mainly with polychrome marble technique. His artwork is in many important collections, such as Hungarian National Gallery and Szombathely Museum.